Plot Summary:Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and white individually change from foreground to background and visa versa.
Brian Allendorfer,Bobby Speed Baldock,Bryon Beck,Lance Benson,Ralph Bertelle,Laura Bogan,Jason Bortz,Eastside Camera,Mike Campbell,Capt. Ret Russ Coons,Kevin Cronin,Capt. Jason Denny,Capt. Ret George Dom,George Dom,Doug Dumas,Capt. Brian Ferguson,Donna Flynn,Capt. Ret Gregory Hicks,Cdr Jerry Higgins,John Hill
Hans Richter's 'Rhythmus 21 (1921)' has modest enough aspirations, and I suppose it's fair to say that it fulfills them adequately. As far as "geometric shapes increasing and decreasing in size" cinema goes, this is a vaguely interesting short film that takes a simple concept and
《认识电影》上说，很多先锋派艺术家都是从绘画转入电影行业的，因为着迷于影像具时间性及物理上具动感的层次 看完更理解这句话，一下想到《胜利之舞》
比较适合放在艺术馆24小时连放哈
http://www.tudou.com/programs/view/Yij4V37ZKR0/
狂赞！我也觉得自己能拍超现实倾向的抽象主义电影！
视觉重点安排得挺好的
年代问题，当时汉斯也是超时代啊
6。没话说
抽象电影1921。韵律感
晃瞎你的双眼
visual practice
Hans Richter's 'Rhythmus 21 (1921)' has modest enough aspirations, and I suppose it's fair to say that it fulfills them adequately. As far as "geometric shapes increasing and decreasing in size" cinema goes, this is a vaguely interesting short film that takes a simple concept and
film history class:early avant-garde
AG and NAG ... ?
没看懂 太抽象了
9.0；二维的三维假象
曾经误以为是现代派……
虽然除了开头结尾就没有电影样..但这个抽象却还不得不承认是不同23相仿。正方形的主体的地位不变，其它的形状放大缩小变化，有主次，不经常重叠反复，但同样是无聊的实验。
感觉用线条的那个更有感染力 原理同欣儿跳舞不够yumiko好看是一样的
又係堡堡堂，其他的更好看為甚麼倒不給我們看。
7分 节奏拿捏得不错 结构也是浅-深-浅 其它，抽象艺术额么有丰富阅历 囧